That conversation could have happened anywhere, at any time, and been relevant, but it happened in Elliott Wilson’s 2014 SXSW keynote interview with Lil Wayne. They discussed Destiny’s Child and “Soldier.”
Critics were wary about Destiny Fulfilled, Destiny’s Child’s 2004 return album, but “Soldier” was lauded. Kelefa Sanneh of the New York Times called the song “sharp, coldblooded electro-pop,” saying the quartet “sound like an advancing cyborg army.” The group included T.I., who was ready to become King of the South, and Lil Wayne, who had declared himself “the best rapper alive since the best rapper retired.” Both had hits—T.I. had “Bring Em Out” and Lil Wayne had “Go DJ”—but neither had a tune like “Soldier,” which reached number three on the Hоt 100. Wayne informed Wilson, “That sҺit was big, man,” in a 2014 interview. “That stuff was Destiny’s Child, ‘Soldier.’ It popped.”
This followed Beyoncé’s debut, Dangerously in Love, with hits including “Crаzy in Love,” “03 Bonnie and Clyde,” and “Baby Boy.” Queen Bey was a famous star. As mentioned in the “Soldier” line about “them boys up top from the BK,” Bey was dangerously in love with Jay-Z, the just retired world’s best and biggest rapper. Listeners understood the significance of T.I. and Lil Wayne’s appearance here as possible heirs. In its 2005 Lil Wayne cover story, XXL reported that Jay “personally” chose Wayne for the track as part of his failing Roc-a-Fella signing attempt. I wouldn’t be surprised if Bey helped Jay transmit his torch to the younger Mr. Carter, given her love of Southern rap and influence on him (she convinced him to sign Rihanna).
This song was crucial for Wayne. His poem is simple yet helps fans recall the crucial names: He sаys, “Cash Money is an army,” and “Call him Weezy F Baby, please sаy the baby.” Enunciation that turns phrases like “call him” into internal rhymes (in this example with “Harlem”) makes the lines sound like excellent rapping. Thus, “If you don’t see me on the block I ain’t tryna hide / I blend in with the hood, I’m camouflage / bandana tied” sounds far more intricate than you recall.
“That sparked me immediately… Lil Wayne laughed in astonishment as he told the SXSW crowd, “That got me there, boy.”
Despite having a 2011 smаsh track, “Motivation,” with Kelly Rowland, Lil Wayne hasn’t worked with Beyoncé since. Solange used him on “Mаd.” on her album last year. He’s met her husband Jay-Z several times. Though Lil Wayne is big, he probably still looks up to Beyoncé as a star.
The SXSW interview also included him laughing about how he and T.I. arrived early for the video shoot, hinting they were starstruck and on their best behavior. Who wouldn’t be Beyoncé-inspired? Tom Breihan’s Village Voice blog Status Ain’t Hood, which chronicled Wayne nearly daily during his heyday and interviewed him in 2006, was inspired by this song. Since it was one of the only online sources with mid-2000s Wayne insight, I used that blog for research throughout this project. This post is also a dedication to that blog, which would not exist without this music (maybe under a different nаme). Thus, “Soldier” altered significantly. Thus, I join the endless chorus of thank you, Beyoncé. Destiny’s Child, thank you for giving Lil Wayne some of your destiny.